Label: Blue Note – TOCJ-6442 Series: Blue Note 決定盤1500 – 42 Type: CD, Album, Remastered, Stereo Country: Japan Date of released: 23 Sep 2004 Category: Jazz Style: Hard Bop. If you're familiar with, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help. You can become a sustaining member for a modest and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Starting with Soul Station, tenor saxophonist Hank Mobley embarked on a powerful series of recordings for Blue Note in the 1960s. His sixteen releases recorded during the decade tapped into virtually every musical trend, including bossa nova, boogaloo, funk and soul. All featured Mobley at his peak, exhibiting a bossy muscularity with a smooth, slippery articulation on solos. What's more, he was paired with a wide range of top artists, giving each album a different feel. One of the finest (and I hesitate even to use that word, since all of his albums during the '60s had admirable qualities) was Roll Call. Recorded in November 1960, the album featured Mobley (ts), Freddie Hubbard (tp), Wynton Kelly (p), Paul Chambers (bs) and Art Blakey (d). Everyone on this album is at their peak. Blakey's drumming will raise hairs on your arm. Kelly's piano is frighteningly fluid. Chambers is rock solid. Hubbard is searing. And listening to Mobley is like watching a heavyweight boxer hit a heavy bag. Mobley also was a terrific hard-bop composer. On Roll Call, Mobley was responsible for the title track, My Groove Your Move, Take Your Pick, A Baptist Beat and The Breakdown. The balance was a standard, The More I See You. On Roll Call, Mobley's originals are sterling. The title track is a minor-key tour de force, with Blakey driving the show with cymbal crashes, press rolls and intricate drum patterns. My Groove, Your Move is a sassy walker with standout solos, particularly by Mobley. Take Your Pick features a terrific hard bop line that sounds as if it belonged on Freddie Redd's The Connection album. And dig Kelly's piano solo! Smooth as glass. A Baptist Beat is a funky blues. And the album closer, The Breakdown, is a barn burner with Blakey dropping random drum bombs and cymbal crashes. At one point, Blakey sounds as if he has has kicked his entire kit down a flight of stairs. It’s graphics, and their performance is best. Visual micro keygen crack idm 2017. To be sure, Mobley's 1950s releases are solid and engaging. But they're not quite as dynamic and eclectic as his 1960s work. There's a maturity in his '60s recordings that put him firmly in charge. Best of all are his originals, demonstrating once again that Mobley was vastly underrated quintet composer. Hank Mobley died in 1986. JazzWax clips: Here's The Breakdown. This story appears courtesy of JazzWax by Marc Myers. Copyright © 2018. I think if BN had released a lot lot less records then virtually all of them would be regarded as classics. Because they released so many records, and virtually all are at the very least worth owning, then something has to be really really special to stand out. A curse of being so good really, someone like Lee Morgan would have been an even bigger star on a different label making the same records. Soul Station is a very good record but it is, imo, a long way away from being one of the greatest jazz albums ever released. It's a way away from being one of the greatest BN albums even. Agree on most points although Workout would rank lower and I yet to find a copy of Another Workout. My ranking preference of what I own so far: 1. The Turnaround (the 1989 reissue with just the February 5, 1965 takes) 3. No Room for Squares (again the 1989 issue with the Oct. 2, 1963 tracks only) 5. Straight No Filter (the 1990 issue with the 6 tracks from March 7, 1963 alongside the 3 June 17, 1966 tracks) 6. Soul Station 7. A Caddy for Daddy 8. Workout Also still looking for A Slice of the Top. How are Third Season or Far Away Lands? Click to expand.The last Blue Note Hank Mobley album was Thinking of Home. Click to expand.I listened to most of Third Season today whie driving and I really enjoyed it.
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